![]() The film is driven by a sadness, a mournful, haunted quality that covers even moments of freedom and joy. ![]() The two young “eaters,” as they call themselves, eventually attempt to stake out a semblance of normalcy and stability rather than staying on the road, until Sully reinserts himself into their lives. ![]() ![]() With a bit of cash, her birth certificate and a cassette tape on which her father tries to explain himself, Maren sets out in search of her mother, who she has never known.Īlong the way, she encounters Sully (Mark Rylance), who has the same compulsion to cannibalism and seems eager to take her under his wing, but she prefers to travel on her own until she meets Lee (Timothée Chalamet). The film doesn’t belabor the specifics of this strange hunger, leaving it as a central enigma for Maren to grapple with it makes her an outsider to society but also, in many ways, unknowable to herself. Teenage Maren (Taylor Russell) has been abandoned by her father (André Holland), who can no longer deal with Maren’s condition of being driven to eat people. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the CDC and local health officials. The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. ![]()
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